Tapestry after Bridget Riley Nataraja 20th century handmade wool weave cotton weave 245 x 175 cm
Discover the 20th century Bridget Riley Nataraja Tapestry, a masterpiece of handmade wool weaving with a cotton weft. Its remarkable dimensions of 245 x 175 cm make it a perfect centerpiece for any interior. Inspired by the legendary art of Bridget Riley, this tapestry captures the essence of her iconic designs and translates them into luxurious textile form. Perfect for art lovers and collectors, this unique piece will bring a touch of elegance and sophistication to any space. Bridget Riley, born April 24, 1931 in London, England, in the Norwood district, is a British painter. His work, based on geometric shapes and optical effects, is part of the Op Art movement.
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- Return Policy: We understand that buying a rug can be a big investment and we want you to be completely satisfied with your purchase. For this reason, we offer a 30-day return policy for rugs purchased from our site. If you are unhappy with your rug for any reason, you may contact us within 30 days of receiving your order to request a return. Carpet must be in its original, unused, undamaged condition with all tags and accessories included. We reserve the right to refuse a return if the rug is not in its original condition. Return costs are the responsibility of the customer, unless the rug is faulty or we have made an error in your order. If your rug is eligible for a refund, it will be processed within 5 days of receipt of the returned rug. Please note that our 30 day return policy does not apply to personalized or bespoke rugs, which are subject to specific return conditions. We encourage you to read this information carefully before placing your order. If you have any questions regarding our return policy or would like to return a rug, please contact us and we will be happy to assist you.
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Bridget Riley |  |
Née à Londres en 19311, Riley passe son enfance en Cornouailles et dans le Linconshire, sa famille s'y étant réfugiée pendant la Seconde Guerre mondiale. Elle a étudié l'art au Cheltenham Ladies' College puis au Goldsmith College (Londres) de 1950 à 1952 et au Royal College of Art de 1952 à 1955 avec notamment Peter Blake et Frank Auerbach. Elle quitte rapidement le College pour aider son père souffrant et passe par une dépression. Rétablie, elle cumule plusieurs travaux : professeur d'art, département artistique de l'agence de publicité J. Walter Thompson entre autres. Elle commence par peindre des portraits dans un style impressionniste avant d'évoluer dans les années 1950, vers des paysages proches du pointillisme, dans le style de Georges Seurat (dont elle analyse la méthode divisionniste), qui l'amènent rapidement à examiner les effets optiques, illusions d'optique. Elle subit également une forte influence de la part des œuvres de Victor Vasarely, dont les motifs noirs et blancs étaient utilisés depuis les années 1930. Le futurisme1 et Giacomo Balla sont enfin une inspiration plus tardive. | |
