Presentation of "Sonia Delaunay, carpets, tapestries, after, hand-knotted unique piece carpet of high artistic quality 260 x 190 cm" - it is not just a tapestry, it is a masterpiece of mid-20th century. This product has been hand-knotted to ensure precision and demonstrates exceptional artistic value. measuring 260 cm by 190 cm, it offers an incredibly detailed work of art that enriches any space in which it is placed. She was inspired by the talented Sonia Delaunay, a prominent artist of the last century known for her abstract and modern artwork, creating this tapestry. a unique item to decorate your home or office. The premium material used promises longevity and gives the tapestry a luxurious feel. Embodying the charm of 20th century artistic tapestry, this piece will undoubtedly add a touch of elegance to your living or working space.


3490 7000-50.14%
  • SKU: sdrc-23-oz
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Sonia Delaunay


Sonia Delaunay - uyArtistas.uy

Sonia Delaunay, born Sophie Stern or Sara Illinichtna Sternnote, born November 14, 1885 in Gradizhsk, Ukraine and died December 5, 1979 in Paris2, was a French painter of Ukrainian originnote 2. Adopted by a maternal uncle, Henri Terk, whose name she took, she studied fine arts very little: drawing in Karlsruhe for two years, then in Paris at the Académie de la Palette in the Montparnasse district. She was naturalized French thanks to a first marriage to Wilhelm Uhde in December 1908.


After a Fauvist period that was undoubtedly inspired by Vincent van Gogh and Paul Gauguin, she invented, with her second husband Robert Delaunay, a form of painting that Apollinaire defined by the vague term Orphism, which did not correspond to any real trend. Sonia and Robert Delaunay worked together mainly on the search for pure color and the movement of simultaneous colors, a trend that inspired other painters after them, notably Fernand Léger and Jasper Johns.


Increasingly oriented towards abstract art over the years, in 1946 she created the Salon des réalités nouvelles solely to promote abstraction.


She left behind a rich body of work that also includes printed fabrics, artist's books, and haute couture gowns, including the famous Nancy Cunard dress. Her first textile work was a blanket for her son Charles.


Opinions are divided on the appreciation of her textile work. Michel Seuphor thinks that she has perhaps been too confined to fashion: "I personally regret that for many years, Sonia Delaunay, instead of devoting herself entirely to painting, dispersed her talent by trying to introduce the simultaneous ideas of her painting into fashion." It was he who, by reducing the essence of Sonia Delaunay's work to her textile work, in fact discredited her painting, as Anne Montfort acknowledges. note In a more recent assessment, Jacques Damase recalls that the patterns invented on fabrics by Sonia Delaunay induced a new inspiration in painting: "It is not without importance for the historian that her works predate those of Mondrian.", and that fabrics are still a source of inspiration for a whole generation of young painters.


Always associated with her husband Robert in painting, fashion, or monumental adventures such as the fresco intended for the Palais des Chemins de Fer for the 1937 International Exhibition, she is often exhibited with him at the Centre national d'art et de culture Georges-Pompidou, to which she made several donations. While many museums around the world own her paintings, the majority of them have been shared in France between the Musée de Grenoble, the Musée d'art moderne de la ville de Paris, the Centre Pompidou, and the Bibliothèque nationale de France.


Manufacturing
hand knotted
Materials
Oldest boy
Shapes
Rectangular
Cut
190 x 260 cm
Thickness
1.5cm
Color
black, yellow, red, orange, white, blue, gray,
Age
contemporary
Origin
Europeans